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I have begun my long delayed project to pass along what I’ve learned about kids photography over the past twenty years. So, I’ve started a private Facebook Group called, obviously, “How to Take Better Photos of Your Kids”. And I’ve started posting videos on YouTube as well.
This is the only concerted effort online to teach this stuff. How to take great photos of your kids.
More details here.
http://iantaylor.ca/

I’ve been working on a personal project in Battambang, Cambodia this rainy season. While roaming around the countryside on the back of a bike, I shoot random things with my Sony RX100V, using the HFR setting. I normally leave it on 500 fps, although the footage suffers in low light. 

Last year I was commissioned by Jardines Aviation Services to document a Day in the Life of their baggage and freight operations at Hong Kong International Airport. Pretty interesting to see the teamwork on the tarmac. They swarm these aircraft in a carefully choreographed routine. i had to really pay attention as it’s actually quite dangerous with all the various vehicles. The crews were all great. Fun day.

JASG

Jardines Aviation Services

Hong Kong International Airport

Airport Photography 

Hong Kong International Airport

Jardines Aviation Services

Hong Kong International Airport

Jardines Aviation Services

I loved the Sigma 35mm f/1.4 ART, but I have to say, this new Sigma 135mm f/1.8 DG HSM ART is incredible. Heavy yes, but worth it. Super sharp wide open.
Sigma is really setting the pace with these lenses.

Sigma 135mm f/1.8 DG HSM ART
On International Women’s Day in 2007 I was part of a group that gained access to the women’s prison outside of Phnom Penh. The visit was arranged by Cambodian Human Rights organization LICADHO. What struck me was the number of children living inside the facility. Some kids of prisoners and some kids of jailers. (Jailer’s kids looked worse off.)
Here are some of the images.

Cambodian Women’s Prison, LICADHO 

Cambodian Women’s Prison

Kids in Cambodian Women’s Prison

Cambodian Women’s Prison, LICADHO

I’m frankly tired of being known as a “natural light photographer”, as it will only get you so far. This year I will be using lighting on lots of shoots. I started by shooting some friends on my annual beach getaway here in Thailand.
I am using the Godox AD200, a ridiculously great flash, into a 95 cm Octabox. Here are a few samples from my first attempts. I’m using a Godox 95cm Octabox as well. Pretty easy and cheap setup. All shots with the Sony A7R2 with Zeiss Loxia 35/2

Godox AD200

 

Godox AD200

 

 Godox 95cm Octabox
Zeiss Loxia 35/2

 

 

Godox AD200

 

Godox AD200
I’m frankly tired of being known as a “natural light photographer”, as it will only get you so far. This year I will be using lighting on lots of shoots. I started by shooting some friends on my annual beach getaway here in Thailand.
I am using the Godox AD200, a ridiculously great flash, into a 95 cm Octabox. Here are a few samples from my first attempts. I’m using a Godox 95cm Octabox as well. Pretty easy and cheap setup. All shots with the Sony A7R2 with Zeiss Loxia 35/2

Godox AD200 Sample

Godox AD200 Sample

Zeiss Loxia 35/2

Zeiss Loxia 35/2

Godox AD200 Sample

Godox AD200

So this week I was photographing an extended family of seven. We were walking down a very steep path from The Peak in Hong Kong. It had been raining and the pavement was super slippery. No sooner had I told everyone to “be careful”, and I stepped on some slimy moss. It all happened in slow motion, but I clearly remember looking up in the air at my feet.
The next sensation was the sickening sound of a Canon 5DMK3 making full contact with cement. My Sigma ART 35/1.4 looked like this. I reckoned it was dead.
I did the rest of the shoot with my 85/1.2. When I got home I couldn’t get the filter off as it was basically fused with the lens. Upon closer inspection I saw that the lens elements might be OK.
I used my Swiss Army knife to tap out all the busted filter glass, and low and behold, the lens was fine.
So, you know the moral of the story.

Always use a UV filter on nice lenses

So this week I was photographing an extended family of seven. We were walking down a very steep path from The Peak in Hong Kong. It had been raining and the pavement was super slippery. No sooner had I told everyone to “be careful”, and I stepped on some slimy moss. It all happened in slow motion, but I clearly remember looking up in the air at my feet.
The next sensation was the sickening sound of a Canon 5DMK3 making full contact with cement. My Sigma ART 35/1.4 looked like this. I reckoned it was dead.
I did the rest of the shoot with my 85/1.2. When I got home I couldn’t get the filter off as it was basically fused with the lens. Upon closer inspection I saw that the lens elements might be OK.
I used my Swiss Army knife to tap out all the busted filter glass, and low and behold, the lens was fine.
So, you know the moral of the story.

Always use a UV filter on nice lenses

I admit it, I’m getting older. I really don’t like carrying around this Canon gear any more. For the past few years I have been using some of the smaller cameras as my travel kit. Lately that has been the Sony A7R2, an incredible chunk of technology. While I have a couple of auto-focus lenses for this body (35/2.8 and the Zeiss 85/1.8 Batis), I have been taking smaller manual focus lenses to use instead of the auto-focus stuff. I can see a day when this is all I use, even for the active kids work
I do.
The difference is focus-peaking. I am getting almost everything in focus, shooting less (a good thing) and having a ton of fun in the process. I don’t even miss my Leica M9 any more.
Mostly I have been using the Voigtlander Heliar 75/1.8 and Nokton 50/1.5 glass. Both of these are crazy good lenses for the money. A pro friend A/B-ed the Heliar ($700) against the Summilux 75/1.4 ($4000) and couldn’t see the difference even when pixel peeping.
I am also using the somewhat more modern Zeiss Loxia 35/2, which is my favorite lens by far at the moment. This one talks to my A7R2, so I get full EXIF info, which I don’t get with the Voigtlander.
I even did a job only with the 50/1.5 and it was a success. I could photograph kids on the move with the lens wide open, and through the miracle of focus peaking, everything was pretty much sharp.
Of course the Canon 85/1.2 on a 5D MK3 is pretty special too, but that’s almost two kilos vs .875 kgs for the Sony + 50/1.5 combo.
The best part for me though is that shooting manual focus is more fun and more efficient. I realize I shoot completely differently with manual focus. With the Canon I will sort of hunt around to meter and focus, and the recompose at the end. With the Sony I compose first, while focusing at the same time. Metering is a piece of cake in AV mode, i just ride the Exposure Compensation dial. My pix are much more consistent in every way. And as I mentioned before, I shoot far less as I know I have the shot.
Here are a few recent samples.

Sony A7R2 & Voigtlander 75/1.8 Heliar

Sony A7R2 & Nokton 50/1.5

Sony A7R2 & Nokton 50/1.5

Sony A7R2 & Zeiss Loxia 35mm f2

Sony A7R2 & Loxia 35mm
Sony A7R2 & Loxia 35mm\

For Save the Children Laos (USA) 
Sony A7R2 & Heliar 75mm